Phyllotaxis
the spirals are counted, not admired
Generator

All three bands cut at every rise, offset by offset

One row per wrecking offset on each band cut whole, one cell per rise, coarse on the left. A pale cell is a rise at which that offset's cut recovers and has no survivor; a dark cell is a cut that wrecks and keeps one of the band's own counted pair; a warm cell is a cut that keeps a family off the pair. The vertical rule on each row is that band's handover, where its two contact steps change places. The golden 8/13 band changes the family it keeps 19 times, the golden 5/8 twice and the Lucas 7/11 not at all.
All three bands cut at every rise, offset by offset. One row per wrecking offset on each band cut whole, one cell per rise, coarse on the left. A pale cell is a rise at which that offset's cut recovers and has no survivor; a dark cell is a cut that wrecks and keeps one of the band's own counted pair; a warm cell is a cut that keeps a family off the pair. The vertical rule on each row is that band's handover, where its two contact steps change places. The golden 8/13 band changes the family it keeps 19 times, the golden 5/8 twice and the Lucas 7/11 not at all.

Drawn at its defaults, in the third band, cut whole. It takes no options at all, so every essay calling it gets this exact drawing.

Called by 6 essays

the blast radius of changing it

Stems and cones

The third band, cut whole

Two bands cut at every rise disagreed about whether the family a cut keeps ever changes, and three explanations were available for a difference between two things. The cheapest third band settles which of them survives, and it settles it against the account nobody was betting on.

 Stems and cones

A family that is a multiple

When a wrecked cut keeps a family that is not one of the lattice's counted pair, the first case looked like a rule: it was half of one of them. The second case is four times the other, which makes the rule a coincidence and leaves a weaker statement that is probably the true one.

 Stems and cones

The branch is what is left

Four accounts of why one band's cuts change what they keep and another's do not were written down before a third band was cut. Three of them are now wrong on a band each, and the survivor is the one with no mechanism behind it.

 Stems and cones

Nine rises were not enough

A coarse sample of a band had never been wrong about whether anything changes inside it, and that record was the argument for trusting a negative from it. The third band cut whole makes it two of three, and the missed feature is one rise wide.

 Stems and cones

A change with nowhere to be

The claim this whole thread rests on is that a survivor does not change where the two contact steps change places. Nineteen located changes never put one there. The twentieth is flagged at a handover, and it is flagged because the offset stops wrecking for thirty-four rises.

 Stems and cones

Two rises far apart

The whole handover thread rests on the claim that where the two contact steps change places is not where the survivor does. On one rung both rises are now located to a single step of the grid, and they sit forty-five per cent of the rung apart.

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