What nine rises find on each band, against what the whole band holds
Drawn at its defaults, in the third band, cut whole. It takes no options at all, so every essay calling it gets this exact drawing.
Called by 3 essays
the blast radius of changing it
The third band, cut whole
Two bands cut at every rise disagreed about whether the family a cut keeps ever changes, and three explanations were available for a difference between two things. The cheapest third band settles which of them survives, and it settles it against the account nobody was betting on.
Stems and conesNine rises were not enough
A coarse sample of a band had never been wrong about whether anything changes inside it, and that record was the argument for trusting a negative from it. The third band cut whole makes it two of three, and the missed feature is one rise wide.
Stems and conesA change with nowhere to be
The claim this whole thread rests on is that a survivor does not change where the two contact steps change places. Nineteen located changes never put one there. The twentieth is flagged at a handover, and it is flagged because the offset stops wrecking for thirty-four rises.