wrecking-across-a-band
Drawn at its defaults, in the second band, cut whole. It takes no options at all, so every essay calling it gets this exact drawing.
Called by 6 essays
the blast radius of changing it
A band with nothing inside it
Five offsets wreck on the Lucas 7/11 band and every one of them keeps the same family at every rise it wrecks at. There are no islands, no transition region and no period to look for, which is what makes the picture from the other band a picture of that band.
Stems and conesOne rise below the census
Ten lattices were cut at every offset and their surviving lags came back as four numbers. One rise further down a rung the census already sweeps, three cuts keep a lag of eleven โ which is a fifth number, on a lattice nothing about was unusual except that nobody had cut it.
Stems and conesThe lag that never survives
A correction to the exchange's size rests on four hop clusters, and a fifth would be the first real test of it. The prediction was written for a golden lattice at a lag of eleven. No golden lattice on this ladder reaches one, and the reason is a fact about the rule rather than about the search.
Stems and conesThe second band, cut whole
One band was cut at every one of its rises and came back with a transition region โ a stretch where three offsets change their answer, in short islands with uneven gaps. The obvious question is whether that is a picture of bands or a picture of that band. The other wide band answers it.
Stems and conesThe wrecking set moves again
Which offsets wreck a stem was assumed to be a property of the lattice. On one band it turned out to be a property of the lattice and the rise, changing on nearly a fifth of that band's steps. On the second band it changes more, and one offset's wrecking is broken into five separate stretches.
Stems and conesWhen nine rises are enough
A coarse design was shown to be misleading on one band and it has been criticised on that ground ever since. On the second band it is exactly right, and the difference between the two cases is a property of the band rather than of the design โ which is the awkward part.