Generator

band-at-full-resolution

One column per rise of the band, coarse on the left and fine on the right, and one row per offset that wrecks anywhere on it. A filled cell is the family the cut stem keeps; a pale cell is an offset that recovers at that rise and has no survivor to report. The band holds 126 rises and 1890 cut stems. three of the six offsets change their answer somewhere inside, three never do, and the vertical rule is the handover — the rise where the two contact steps change places. Not one of the 19 changes is at it.

Every rise of the 8/13 band, cut at every offset. One column per rise of the band, coarse on the left and fine on the right, and one row per offset that wrecks anywhere on it. A filled cell is the family the cut stem keeps; a pale cell is an offset that recovers at that rise and has no survivor to report. The band holds 126 rises and 1890 cut stems. three of the six offsets change their answer somewhere inside, three never do, and the vertical rule is the handover — the rise where the two contact steps change places. Not one of the 19 changes is at it.

Drawn at its defaults, in one band, cut at every rise. It takes no options at all, so every essay calling it gets this exact drawing.

Called by 4 essays

the blast radius of changing it

Stems and cones

Every rise of a band

A band is cut at nine rises because the quantity it was built to test is a constant, and a constant is checked at the ends and at the crossing. On the widest band that quantity turned out not to be constant, which makes nine the wrong number. This is all hundred and twenty-six.

Stems and cones

The alternation is not a period

Nine sampled rises gave 8, 4, 8, 4 at one offset of one band, and a period was the obvious thing to look for. At full resolution it is thirteen islands one to three rises wide, with gaps of 1, 2, 3, 6, 7, 8, 9, 16, 31, 44 and 48 — and a fitted period buys exactly nothing.

Stems and cones

Three offsets, three crossings

The claim the band design rests on is that the survivor does not change where the two contact steps change places. It holds at full resolution: nineteen changes and not one at the handover. Where they are is three different rises, eight, nineteen and twenty-nine below it.

Stems and cones

The offsets that never change

Three of the six offsets that wreck anywhere on the band keep the same family at every rise they wreck at — 98, 22 and 81 rises of the 126. And which offsets wreck at all is a function of the rise, which no reading of a band had drawn.

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